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R​é​sonances manifestes

by Devenir-ensemble

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    Gatefold CDs produced in Portugal by Creative Sources Recordings. Catalog number CS-741/CUCH-199. Artwork by Marjolaine Lord.

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about

'Résonances manifestes' is a comprovised music piece based on a sound score composed of field recordings from autonomous demonstrations that shook the streets of Montreal in the recent years. The piece can be understood as a sound study on how the ambient sounds can participate actively to the gain of consistency of the moments of community and how some musical processes can orient the experimentation of new ways to gather in the event. The process of research-creation underlying the piece involved a sound study on the acoustic ecologies of demonstrations, the composition of a sound score expressing different affective tonalities of these events, and the organization of a series of training workshops on the collective perception of sounds. 'Résonances manifestes' is the musical expression of a project of research-creation at the confluence of music, philosophy and politics, aiming to understand how sound and music contribute to the (trans)formation of affective communities, understood as the common becoming of the multiple bodies (living or not, human or not) taken in an intensive field of affective resonance.

The remixes have been created by sound artists of Montreal in order to compose creatively with the distance and the impossibility of the gatherings that have affected the project recently.

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'Résonances manifestes' est une pièce comprovisée basée sur une partition sonore composée d’enregistrements de terrain de manifestations autonomes qui ont fait trembler les rues de Montréal ces dernières années. La pièce peut être comprise comme une étude sonore sur la contribution des sonorités ambiantes à la prise de consistance des communautés, comment certains processus musicaux peuvent orienter l’expérimentation de nouvelles manières de se rassembler à même l’événement. Le processus de recherche-création de la pièce a impliqué une enquête sonore sur l’écologie acoustique des manifestations, la composition d'une partition sonore en une série de mouvements exprimant des tonalités affectives propres à ces rassemblements et des ateliers d’entrainement collectif à la perception commune des sons ambiants. 'Résonances manifestes' est l’expression musicale d’un projet de recherche-création à la confluence de la musique, de la philosophie et de la politique, visant à comprendre comment les sons et la musique contribuent à la (trans)formation des communautés affectives, comprises comme le devenir commun des multiples corps (vivants ou non, humains ou non) pris dans un champ intensif de résonance affective.

Les remix ont été effectués par des artistes sonores de Montréal pour composer de manière créative avec la distance et l'impossibilité des rassemblements qui ont affecté le projet dernièrement.

credits

released June 11, 2022

Field recordings*, composition, arrangements, artistic direction, production / Enregistrements de terrain, arrangements, composition, direction artistique et réalisation : Hubert Gendron-Blais

Devenir-ensemble:

Andrea Prochazka Mercier – saxophone
David Dugas Dion – drums / batterie
Elyze Venne-Deshaies – clarinet / clarinette
Hubert Gendron-Blais – baritone electric guitar / guitare électrique baryton
Joel Gorrie – cello / violoncelle
Joel E. Mason – bass guitar / basse
Marilène Provencher-Leduc – transverse flute / flûte traversière
Mélanie Cullin – accordion / accordéon
Paul Zakarivan – electric guitar / guitare électrique
Philippe Blouin – electric guitar / guitare électrique

*Additional field recordings by / Enregistrements de terrain supplémentaires par Joel E. Mason, Montreal Sound Map (Max Stein & Jason Darby) & Stefan Christoff.


Remixes / Remix

Hazy Montagne Mystique (kohlenstoffrecords.com/hazy-montagne-mystique-chittakone-baccam/)
Joni Void (cstrecords.com/pages/joni-void)
Jordan Torres Bussière (jordantorresbussiere.bandcamp.com)
Joseph Sannicandro (soundpropositions.com)
Nicola Di Croce (www.nicoladicroce.com)
Philippe Battikha (www.philippebattikha.com)
Pulsatilla (pulsatilla.weebly.com)


Recorded by Christian Fafard in February 2019 at Sala Rossa (Montreal/Tiohtiá:ke) / Enregistré par Christian Fafard en février 2019 à la Sala Rossa (Montréal/Tiohtiá:ke).

Mixing / Mixage : Hubert Gendron-Blais & Christian Fafard
Mastering / Matriçage : Christian Fafard

Visual Art / Art visuel : Marjolaine Lord


Thanks to / Merci à :

Alex Pelchat, Amélie Malissard, Chittakone Thirakul, Christian Fafard, David Dugas Dion, Erin Manning, Ernesto Rodrigues, Isak Goldschneider and the Innovations en concert team, James Nicholas Dumile Goddard and the Suoni per il popolo team, Jean Cousin, Jordan Torres Bussière, Joseph Sannicandro, LeParc/Concordia University, Lisa Teichmann, Marjolaine Lord, Montreal Sound Map, Nicola Di Croce, Peter Burton, Philippe Battikha, Sandeep Bhagwati and the Matralab team, Stefan Christoff and all those who have made Montreal a city that knows how to take to the streets. ACAB.

We acknowledge that this album has been produced in Tiohtiá:ke / Montreal, an unceded territory which is used as a place of encounter and exchange between many First Nations, including the Kanien’kehá:ka, Huron/Wendat, Abenaki and Anishinabeeg. / Nous reconnaissons que cet album a été produit à Tiohtiá:ke/Montréal, territoire non cédé qui sert depuis longtemps de lieu de rencontre et d’échange entre plusieurs Premières nations, incluant les nations Kanien’kehá:ka, Huron/Wendat, Abenaki et Anishinabé.

Under Creative Commons Licence Attribution – No Commercial Use – Share in the Same Conditions 4.0 International. / Sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.

Cuchabata Records
Creative Sources Recordings
2022

The Devenir-ensemble thanks the Conseil des arts de Montréal for its financial support. / Le Devenir-ensemble remercie le Conseil des arts de Montréal de son appui financier.

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Devenir-ensemble Montreal, Québec

The Devenir-ensemble names an assemblage of musicians of Montreal working in comprovisation around the formation of affective communities, understood as the common becoming of the multiple bodies (human or not, living or not) taken in a field of affective resonance. The group performs sound studies on how some music processes can orient the experimentation of new ways to gather in the event. ... more

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